Actors, artists, directors, filmmakers and events in the news August 1-7, 2021
Grouped under headings that include art openings, film, outdoor art fairs and festivals and theater are advances, announcements and articles about the actors, artists, filmmakers and events making news in Southwest Florida this week:
1 ACTORS
Madelaine Weymouth in ‘Chechens’ at the Alliance
Madelaine Weymouth appears for Theatre Conspiracy at the Alliance in their upcoming production of 2019 New Play Contest winner The Chechens by Phillip Christian Smith. She last appeared on stage as Betty Schaefer in Lab Theater’s summer spoof Sunset Schmoulevard and before that as Clarice Orsini in the regional premiere of Jordan Tannahill’s Botticelli in the Fire. Her resume is extensive. To she what other roles she’s played, please go here.
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Hollis Galman in ‘Chechens’ at the Alliance
Hollis Galman appears for Theatre Conspiracy at the Alliance for the Arts in their upcoming production of 2019 New Play Contest winner The Chechens by Phillip Christian Smith. She last appeared in the iconic role of Ethel Thayer in On Golden Pond for The Studio Players. Other local roles include Marty in Circle Mirror Transformation and the larger-than-life role of Masha in Vandy and Sonia and Masha and Spike, which represented her Studio Players’ debut. While she was living and working in New York, she also appeared in a number of Off-Broadway productions. Go here to access all her theatrical credits.
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Gerrie Benzing playing Edith Frank in ‘Diary’
Gerrie Benzing will portray Edith Frank in Fort Myers Theatre’s production of The Diary of Anne Frank. The part is the polar opposite to her last role, that of Ruth in Calendar Girls for The Naples Players. “Edith Frank is a very sad person,” observed Ellice McCoy in 2015, who played the part for Lab Theater six years ago. “Of the eight people who went into hiding in that annex, Edith was the one most unable to cope with the situation in which they found themselves. She was so depressed, all she could do was sit there and try to take it all in.” And her depression was compounded exponentially by her estranged relationship with both her husband and her daughter. Normally upbeat and life-affirming, McCoy found the role emotionally draining. Benzing, no doubt, will as well. But she’s a pro who relishes the opportunity to tackle dramatic parts, such as Theresa in Circle Mirror Transformation for The Studio Players, Ethel Thayer in On Golden Pond for Cultural Park Theatre (for which she won a Cultural Park Theatre Best Actress Marquee Award) and Amanda in The Glass Menagerie. Go here to see all of Benzing’s stage and other theatrical credits.
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2 DIRECTORS & PLAYWRIGHTS
McCleary directs and choreographs Grease
Instead of resting on the laurels of her success with Beehive: The 60s Musical, the incomparable Amy McCleary has tackled the direction and choreography of Grease, on the mainstage at Broadway Palm Dinner Theatre now through August 14. And as you’ll see when you catch the show, she’s clearly put her own unique spin on this iconic classic. McCleary is a multi-faceted musical theater artist who works as an actor, director and choreographer in local and regional theater. Amy started in theater as a chorus girl. Since then, she has played some pretty prestigious roles, including Velma Kelly in Chicago. But most Southwest Florida theater lovers know McCleary more through her work as Prather Entertainment Group’s resident director/choreographer, and in that capacity, she has staged more than 50 productions. Go here to view her impressive resume of shows and other accomplishments.
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Spotlight on ‘Failure: A Love Story’ playwright Philip Dawkins
Opening at the Laboratory Theater of Florida on July 29 is Failure: A Love Story by Chicago playwright Philip Dawkins. Dawkins’ plays have been performed all over the world. In addition to Failure: A Love Story, Dawkins’ catalog of plays includes Le Switch, The Homosexuals, The Burn, Dr.Seuss’s The Sneetches, the Musical (with composer David Mallamud), Spamtown, USA, The Gentleman Caller, Charm, Miss Marx, Or The Involuntary Side Effect of Living and The Happiest Place on Earth. Four of his plays have been nominated for Jeff Awards, the prestigious Chicago theater prize, including his critical breakthrough, 2011’s The Homosexuals.
Go here for the balance of this profile.
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Spotlight on ‘Failure’ co-director Madelaine Weymouth
On stage at Lab Theater through August 8 is Lab Theater Education’s summer camp play Failure: A Love Story by Philip Dawkins. Directing are Madelaine Weymouth and Steven Michael Kennedy. Weymouth is best known as a talented character actor. Most recently, she appeared as Betty Schaefer in Lab’s summer parody Sunset Schmoulevard and as Clarice Orsini in Botticelli in the Fire. But Weymouth is an equally talented director. Among her directing credits is the regional premiere of Chiara Atik’s comedy Five Times in One Night, in which she cast Chris Heartwell and Tamicka Armstrong to play five different couples engaged in an exploration of sex through the ages. In her capacity as head of Lab’s winter camp, she co-directed the Lab’s summer camp shows, The Wolves (2019) and Evil Dead (2018). She also had the distinction of directing the Audience Choice winner in Lab Theater’s 2018 24-Hour Playwriting Challenge, Sunny with a Chance of Social Anxiety by Dave Matthew Chesebro.
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3 THEATER
Alliance 2019 New Play Contest winner ‘Chechens’ opens in Foulds Theatre August 5
The 2019 Janet and Bruce Bunch New Play Contest Award winner, The Chechens by Phillip Christian Smith, opens in the Foulds Theatre at the Alliance for the Arts on August 5. Directed by Artistic Director Bill Taylor, the plays stars Reuben Garcia, Miguel Cintron, Sharon Isern, Hollis Galman and Madelaine Weymouth. Set in modern day Grozny, the capital of Russia’s Chechen Republic, rumors are going around that “certain people” are being rounded up and held in a camp on the east edge of town. A family finds itself at a crossroads when learn that little brother may be the next target. Will they protect him? Turn him in? Or go so far as to honor-kill him? What prevails in the end -religion, politics or love? Go here for play dates and times.
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The word at Broadway Palm through August 14 is ‘GREASE’
This summer GREASE is the word at Broadway Palm! Playing through August 14, 2021, travel back in time with your favorite teenagers in this light-hearted and nostalgic look at young love. This feel good, rock ‘n’ roll musical is sure to get everyone dancing in the aisles and singing along to their favorite songs.
Broadway Palm’s time warp will transport you back to Rydell High and the hot-rodding Burger Palace Boys with its gum-snapping, hip-shaking Pink Ladies. Head “greaser” Danny Zuko and new girl Sandy Dumbrowski try to relive their summer romance as the rest of the gang sings and dances their way through Greased Lightnin’; Summer Nights; Born to Hand Jive; We Go Together; Look at Me, I’m Sandra Dee; You’re The One That I Want; Beauty School Dropout; and more!
Performances are Wednesday through Sunday evenings with selected matinees. Tickets are $48 to $73. There is a summer special for children 18 and under, tickets are just $20 for the meal and the show. Group prices are also available. Tickets are now on sale and can be reserved by calling (239) 278-4422, visiting BroadwayPalm.com or in person at 1380 Colonial Boulevard in Fort Myers.
Broadway Palm is continuing to follow CDC guidelines while providing a delicious meal and exceptional entertainment in a safe and socially distanced environment. For a list of the extensive health and safety measures they have taken, please visit BroadwayPalm.com. It is important to note that Broadway Palm is asking guests that are not fully vaccinated to wear a face mask while not eating or drinking. Proof of vaccination will not be required.
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Center for Performing Arts announces auditions
The Center for Performing Arts Bonita has announced auditions for two upcoming events, Funny Shorts Live! and Clue: On Stage. They will be held by appointment only on Friday and Saturday, August 17 & 18. To reserve audition time, please call 239-495-8989.
Funny Shorts Live! will be performed one night only on September 10 and will be selected from the following short plays:
- Jorge Hosts Chanukah – Hispanic father/grown son and his Jewish wife
- The Last Deck Chair in the Resort – 2 women, 20s to 40s
- A Hole Lot of Trouble – 2 construction workers and a Hole
- Very Private Detective – Noir silliness, 2 men, 1 woman
- Always a Bridesmaid – 20s to 30s, groomsman and bridesmaid find sparks
- A Midsummer Night’s Script – 4 actors, including the Bard — 20s to 40s, British
- The Kiss – 3 portraits and 1 dead painter come to life in a night at the museum
- The Harmonica in Your Closet – 3 people in their 20s-30s, 2 are African American
Funny Shorts LIVE! is an extension of the Center’s wildly popular Stage IT! 10-Minute Play Festival, an annual competition and book publication that draws playwrights from around the world.
Clue: On Stage will be performed on October 15-17 and October 28-31. Twelve roles are being cast for this show, including all the colorful characters from the game as well as a cook, butler, cop and maid.
Auditions will be cold readings from the scripts of both productions. Rehearsals take place in the evenings and only a few weekends. For Funny Shorts Live, the schedule is very flexible and can be adapted for availability of cast and staff.
CFABS’ next auditions will take place in late October for its November 12 production of its Staged Reading series.
The Center for Performing Arts is located at 10150 Bonita Beach Road.
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Florida Rep producing world premiere of Jones/Coble collaboration ‘Bulletproof Backpack’
Florida Repertory Theatre is bringing the world premiere of Bulletproof Backpack to the historic Arcade Theatre for a limited engagement August 11-15. Conceived by Education Director Kody C. Jones and written by Broadway playwright Coble (the same creative team behind 2018-s hard-hitting play Refugee), Bulletproof Backpack began as a student driven social conflict project that originated with Oregon Children’s Theatre. Written with contributions from a team of local Southwest Florida young people, the play creates a platform for students to research, discuss and interview their local community on the subject of gun violence in our schools. Bulletproof Backpack is an intertwining of student feedback and interviews with fictional characters who beg for answers and continue to pose the question… “How can we feel safe in our schools?”
Performances are August 11-15. Tickets are $25/$20.
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Fort Myers Theatre promises living, lyrical version of diarist Anne Frank
Anne Frank began a diary when she turned 13, just days before she and her family went into hiding in Nazi-occupied Amsterdam. Frances Goodrich and Albert Hackett transformed her diary into a stage play in 1955 that won both a Tony Award and Pulitzer Prize for Drama. More than 40 years later, Wendy Kesselman adapted their play for a generation that was finally able to confront the true horrors of the Holocaust. In her iteration of this timeless story, Kesselman interwove survivor accounts and newly-discovered writings from the diary to create a contemporary, impassioned story. Now, director Kristen Wilson and the Fort Myers Theatre bring his modern version of The Diary of Anne Frank to the stage in eight haunting performances that begin on August 13.
The rest of this advance is here.
Go here for play dates, times and ticketing.
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Lab Ed’s summer camp production of ‘Failure: A Love Story’ runs through August 8
The Laboratory Theater of Florida in conjunction with The Laboratory Theater of Florida: Education will present Failure: A Love Story by Philip Dawkins through August 8.
Set in 1928, the play follows the Fail sisters, Nelly, Jenny June and Gerty. They live above the family clock repair shop near the Chicago River, and are destined to die within the year in reverse order.
Go here for the rest of this advance.
Go here for play dates, times and ticket information.
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4 ARTISTS
Acevedo’s ‘Different Strokes’ work evinces naturalistic, primordial sensibility
David Acevedo is one of 72 artists with work included in the Alliance for the Arts’ member show Different Strokes, on view now through August 28. His painting AJA is a representation of the African goddess of nature.
“I was inspired by these chaotic times [in which] we are living, where nature itself seems to be sending a message that most of us ignore,” David explains.
You’ll find the rest of this post here.
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Boren’s ‘Water View’ is clarion call for water quality stewardship
Katherine Boren is one of 72 artists with work on display in the Alliance for the Arts’ member exhibition Different Strokes. Her abstract composition is titled Water View. It is a mixed media piece incorporating sand from the Gulf off the shore of Sanibel Island.
At first blush, the painting presents a juxtaposition of greens. The majority of the canvas transitions from soft turquoise to the luscious, mottled emerald green you would see dangling from a parasail high above the tranquil waters off the white sandy beaches of Pensacola, Fort Walton Beach and Destin. The waters west of Sanibel and Captiva were once that color too. And Boren’s Water View “celebrates the beauty of the water the way it once was and could be again if we all do our part in caring for our community and planet.”
Go here for the rest of this story.
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Khaysie Tiburcio’s ‘Child’s Play’ contains numerous ironic elements
Khaysie Tiburcio is one of 72 artists with work on display in the Alliance for the Arts’ member exhibition Different Strokes. Her composition is titled Child’s Play.
“Child’s Play highlights our imagination,” Khaysie shares. “I included a few ironic elements that include the rabbit with the human foot for ‘good luck,’ and the goat and sheep playing patty cake to emphasize the playful behavior in the piece.”
Tiburcio reports that the painting process for Child’s Play proved to be as fun as it was rewarding. “I was able to experiment with different mediums to add textures and patterns.”
Khaysie Tiburcio is one of five artists juried into this year’s Alliance for the Arts Art Lives Here Billboard Campaign. Her work for that initiative is a metaphorical piece titled Art Within Their Souls, which underscores how art becomes a part of the artist and not simply an expression of the artist’s thoughts and emotions. Go here for more on Khaysie’s billboard artwork.
You can view Child’s Play and the other 71 works of art included in Different Strokes in the Alliance’s main gallery now through August 28.
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’18 Occasions’ really is a ‘Different Stroke’ for mixed media artist Roy Rodriguez
Roy Rodriguez is one of 72 artists with work on display in the Alliance for the Arts’ member exhibition Different Strokes. “This one really is a Different Stroke for me,” says Roy. It is a composite of 18 photographs combined and printed on canvas.
“One day I put some powder on a puff and noticed this incredible design made by the powder,” Roy divulges of his inspiration and process for the unconventional artwork. “I was so taken that I rushed to photograph it.”
The next day, an image reminiscent of waves crashing over rocks appeared when he powdered the puff.
Go here for the rest of this post.
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Susi Wingenroth’s ‘Palm Queen’ part of Alliance’s member show ‘Different Strokes’
Susi Wingenroth is one of 72 artists with work included in the Alliance for the Arts’ member show Different Strokes, on view now through August 28. Titled Palm Queen, her piece is a woman’s portrait painted on a frond from a queen palm. If Wingenroth’s name seems familiar, it’s because she is also one of five artists juried into this year’s Alliance for the Arts Art Lives Here Billboard Campaign. Her Art Lives Here work is titled Frame of Reference. Wingenroth is a Lee County School District arts educator. Prior to her current post, Susi taught art at Canterbury School from May of 2006 through August of 2016 and Renaissance School from August of 2001 through June of 2016. She has her B.A. Fine and Studio Arts from the University of Maryland College Park.
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5 ART SHOWS, EXHIBITIONS & ARTS ORGANIZATIONS
‘Different Strokes’ at Alliance through August 28
On view in the main gallery at the Alliance for the Arts through August 28 is Different Strokes. The exhibition recognizes the unique styles and widely diverse approaches to making art of the Alliance’s member artists. The artists participating in this two-month-long 72-piece show were challenged to exhibit pieces that didn’t quite fit into other calls to artists over the past year.
Each day the Alliance strives to support and foster all styles and mediums – ranging from traditional 2 and 3-dimensional mediums (like painting, drawing, printmaking, sculpture, ceramics, fiber and mixed media) to emerging and contemporary trends (such as digital, installation, performance and experiential based works). This diversity of genre, media and motif is on full display in Different Strokes.
Gallery hours are 9:00 a.m. until 5:00 p.m. Monday through Friday and Saturdays from 9:00 a.m. until 1:00 p.m. during their weekly farmer’s market. Admission is free, although donations are gratefully accepted.
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‘Dia de los Muertos’ returns to Alliance in October by popular demand
By popular demand, Dia de los Muertos or Day of the Dead is returning to the Alliance for the Arts.
Contrary to what the title might suggest, Day of the Dead is a celebration of both life and death – a time to remember and commemorate the lives of family and friends who have passed from this world into the next realm. The holiday springs from the observation that death is a natural and inevitable part of the human experience – the end point on a continuum that begins with birth, progresses through childhood and culminates with the process of becoming a contributing member of the community. On Dia de los Muertos, the dead take their place among the living as part of the community, awakened from their eternal sleep to share celebrations with their loved ones. And believing that the dead would be insulted by mourning or sadness, Dia de los Muertos celebrates the lives of the deceased (children on Day 1 and adults on Day 2) with food, drink, parties, and activities the dead enjoyed in life.
During Dia de los Muertos, families decorate altars, or ofrendas, with candles, photographs, toys, food, and bright colors to honor their loved ones and lead their visiting spirits home. The most familiar symbols of Dia de los Muertos are calacas and calaveras (skeletons and skulls), which appear everywhere during the holiday – in candied sweets, as parade masks and as dolls. But rather than somber or macabre, calacas and calaveras are almost always portrayed in a positive, uplifting manner, frequently dressed in fancy clothes and entertaining situations.
In fact, calaverita de azucar, or sugar skulls, are a prominent symbol in the Dia de los Muertos tradition. These brightly decorated sugar skulls are placed on the altars of the deceased, especially children, as a whimsical reminder of precious life. The monarch butterfly is also commonly associated with Dia de los Muertos as they are thought to bring with them the spirits of deceased loved ones during their migration to Mexico. Another common symbol includes the use of cempasuchil, a brightly colored Mexican marigold, whose smell is believed to attract spirits to visit their families during Dia de los Muertos.
This, then, is the context for the art that exhibitors bring to the Alliance for the Arts to display in its Dia de los Muertos exhibition. As the family and community play integral roles in this cultural celebration, the congregation of local art to honor the deceased maintains the power of community in the Dia de los Muertos tradition. Each artist explores their own interpretation of this rich holiday, and brings to light not only the honor associated with death in Mexican culture, but remind us of the vivacity and significance of the lives of our loved ones who have passed.
The show exhibits October 1-30, 2021, and opens with a 5:00-7:00 p.m. in-person reception in the main gallery. Awards will be given of $250 for Best in Show, $125 for 2nd Place and $75 for 3rd Place. The deadline for submissions is Friday, September 17.
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Bob Rauschenberg Gallery’s ‘Postcards for Democracy’ closes August 8
The Bob Rauschenberg Gallery at FSW’s Postcards for Democracy closes August 8. The exhibition is the premiere of Mark Mothersbaugh and Beatie Wolfe’s collective art campaign.
Artistic visionaries Mark Mothersbaugh and Beatie Wolfe share a love of tangible art forms. In and amongst their futuristic explorations, they have joined forces to create Postcards for Democracy, a collective art campaign in support of the United States Postal Service (USPS) and its essential role in our elections.
The resulting gallery exhibition is expansive, immersive and participatory, but the concept continues to be quite simple: create and mail your postcard design to 8760 Sunset Blvd, Los Angeles, CA 90069 to become part of this art demonstration and, in so doing, support the USPS and democracy in the process.
To date, Mothersbaugh and Wolfe have received thousands of cards, covering themes from Covid and science to democracy, capitalism, the environment, social injustice and even insomnia. Together these postcards (like the exhibition itself) form something of a time capsule – reflecting our collective experience personally, socially, societally, politically, and environmentally – while the archive expands with ongoing contributions
Both Mothersbaugh and Wolfe have strong ties with Bob Rauschenberg’s work and ethos – Mothersbaugh in his adoption of Pop imagery and early experimentation with industrial printing techniques (including cyanotype) and Wolfe due to her reboot of the Rauschenberg founded E.A.T. programme (Experiments in Art and Technology) of the late 60s with her Raw Space project.
Postcards for Democracy also extends the tradition established by the Gallery in 2014 with Yoko Ono Imagine Peace and ELEVEN: The John Erickson Museum of Art (JEMA). The latter, in particular, featured Ono’s Wish Tree, to which attendees attached shipping tags containing scribbled wishes in a process that Yoko likened to a collective prayer. After the exhibition, the Gallery harvested the wishes and sent FSW Studio Art Professor Dana Roes and three “Wish Ambassadors,” Christopher Lacoste, Leila Mesdaghi and Josue’ Charles, to Iceland for purposes of adding them to more than a million others that have been placed in the base of the Imagine Peace Tower on Videy Island in Kollafjordur Bay near Reykjavik.
The difference between Wish Tree and Postcards for Democracy, of course, is that while the shipping tag wishes were kept completely private, the postcards are shared publicly with those who visit the Gallery to take in the site-specific, groundbreaking show.
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‘Postcards for Democracy’ artists Mothersbaugh and Wolfe in the frame
On display in the Bob Rauschenberg Gallery at FSW is Postcards for Democracy, the premiere of Mark Mothersbaugh and Beatie Wolfe’s collective art campaign. A collective art campaign, the exhibition supports the United States Postal Service (USPS) and elucidates its essential role in our elections.
Mothersbaugh first started making postcard art as a young art student at Kent State University in the early ’70s, exchanging work with known and unknown artists alike. Through these exchanges, he realized that he was creating an image bank and a lyric collection that served as a basis of inspiration that he would later use in the creation of his seminal art-rock band, DEVO. Since then, he has filled over 490 archival volumes of 100 cards each. These cards became the basis of his most recent show, Myopia, a retrospective beginning in 2015 focusing on modern man’s ongoing, internal dialogue of beatnik stream of consciousness poetry, the surrendering of the intellect to the primordial and science vs. faith.
Mark has shown his visual art in over 125 solo exhibits over the last 35 years, with touring shows Homeland Invasion, Beautiful Mutants, and Myopia, a 30,000-object retrospective in 2015. His art has been featured on numerous books, album art, and consumer products. He has collaborated musically with artists such as Brian Eno, David Bowie, Iggy Pop, Beck, The B52s, and Neil Young, to name a few.
He was given an honorary doctorate of humanitarian letters from Kent State in 2008.
“What better way than to use the very system of the USPS as proof of concept that if we protest through art and connection, we not only capture this moment, but we also create a movement and preserve it for posterity,” Mothersbaugh comments.
”Musical weirdo and visionary” Beatie Wolfe is an artist who has beamed her music into space, been appointed a U.N. Women Role Model for Innovation, and held an acclaimed solo exhibition of her ‘world first’ album designs at the Victoria & Albert Museum. Named by WIRED Magazine as one of “22 people changing the world,” singer-songwriter and innovator Beatie Wolfe is at the forefront of pioneering new formats for music that bridge the physical and digital, which include: a 3D theatre for the palm of your hand; a wearable record jacket – cut by Bowie/ Hendrix’s tailor out of fabric woven with Wolfe’s music – and most recently an ‘anti-stream’ from the quietest room on earth and space beam via the Big Bang horn.
The Barbican recently commissioned a documentary about Beatie Wolfe’s pioneering work titled Orange Juice for the Ears: From Space Beams to Anti-Streams and Wolfe’s latest innovation is an environmental protest piece built using 800,000 years of historic data that will be premiered at the London Design Biennale in 2021.
“Lockdown has reminded me of the joy and importance of physical communication at a time when it’s more important than ever,” adds Wolfe. “And mail connects us in a way that technology never can. So let’s use it before we lose it!”
Postcards for Democracy will be on view in the Bob Rauschenberg Gallery through August 8.
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DAAS’ August show featuring whimsical art of Lorrie Bennett
DAAS CO-OP Art Gallery’s August show features the artwork of whimsical artist/illustrator Lorrie Bennett.
Bennett is a self-taught, contemporary and expressive mixed-media artist and illustrator. Lorrie knew from an early age that she was an artist. Even though her earlier career was not originally a creative field, artistic endeavors always found their way into her life. And then after 20+ years as a single mother working as a Graphic Designer/Marketing Manager, she decided it was time to spend her life as a full-time artist and currently works out of her studio at her home.
For Lorrie, creating has been a lifelong journey of experimentation and exploration. She is bound by no medium and paints an assemblage of layers of materials that include acrylics, watercolors, inks, pastels, charcoal, monoprints, photo transfers, fabrics and vintage ephemeral papers such as wallpapers, book pages, maps and sewing patterns (some over a century old). Lorrie also often incorporates mark-making patterns that come from textured items such as rolled up cardboard, bubble wrap, bottle caps and even Styrofoam.
“The excitement is the process of combining paints, drawing, mark-making, and collaging while choosing what to add, to cover up and what to leave untouched,” Lorrie effuses.
Inspired by the John Muir quote “And into the forest I go, to lose my mind and find my soul,” Lorrie’s current series weaves figurative and nature scenes together – as well as smaller botanical works.
Nature has always been a huge inspiration for Lorrie and all things nature have often found its way onto her canvas over the years.
Her figurative paintings express bold strength and beauty while a gentle kindness emerges – “something I believe every woman carries inside.”
Each painting begins with a collaboration of materials and photography that once combined create a new story of life energy and soul.
Lorrie has been blessed to have her artwork reside in homes, businesses, and numerous publications including two adult coloring books, Inkspirations: Fruit of the Spirit and Inkspirations: Fruit of the Spirit for Moms. She has illustrated several children’s books and is currently working with Applewood Books on a children’s counting book named Dreaming of Fort Myers, available later this year on Amazon and stores throughout the U.S. Her art was also chosen for the cover and inside pages of The Beauty of Zentangle, which recognized and presented 137 tangle artists worldwide. In 2018, Lorrie received the Sidney & Berne Davis Art Center’s Choice Award for Exhibition: X juried show, for her mixed-media painting The Story of Chromosome X.
The opening reception is scheduled for 6:00-10:00 p.m. on Friday, August 6, 2021 in conjunction with Fort Myers Art Walk. The exhibition will be on display through August 28, 2021.
DAAS CO-OP is located at 1815 Fowler Street, in the Butterfly Estates complex in Fort Myers, FL. The gallery’s temporary business hours are Wednesday to Sunday, from 10am to 3pm. More information about the venue and/or how to become a member can be found at daascoop.com or by calling 239-590-8645.